1.0
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
 分享

剧情介绍

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich  展开全部

我要评分

给【O somma luce】打分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐

播放列表

 当前资源由蓝光提供 - 在线播放,无需安装播放器

猜你喜欢

  • 4.0

    煤工歌手冈德曼

    彼得·施耐德 比亚内·梅德尔 亚历山大·谢尔 米兰·佩舍尔 希尔玛·艾奇霍恩 安娜·乌特伯格 索斯藤·默滕 阿克西尔·普拉尔 克里斯蒂安·斯基宾斯基 

  • 6.0

    鬼龙院花子的一生

    仲代达矢 夏目雅子 中村晃子 佳那晃子 夏木真理 新藤惠美 内田良平 绵引胜彦 小泽荣太郎 诚直也 仙道敦子 内田稔 平田昭彦 役所广司 丹波哲郎 益冈彻 樱井稔 福本清三 成田三树夫 梅宫辰夫 山本圭 夏八木勋 岩下志麻 樱金造 谷村昌彦 

  • 2.0
  • 6.0

    跑着去北京

    刘泳晨 张少华 童俊 任泽巍 

  • 10.0

    37

    林妙可 杨采妮 刘晓庆 

  • 8.0

    老兽

    涂们 王超北 伊丹纳 王铭硕 苏枫 阿拉腾乌拉 王子子 孙加琴 黄伟 

  • 8.0

    林家铺子

    谢添 林彬 马薇 于蓝 韩涛 

  • 7.0

    骄傲的少年

    王佳敏 郭广平 

相关推荐

  • 7.0

    临租家庭

    日租家庭(台) 

  • 9.0

    他们之后的孩子

    保罗·基尔舍 安吉丽娜·沃雷斯 赛义德·艾尔·阿拉米 阿娜伊斯·德穆斯蒂埃 露易丝·莱赫里 吉尔·勒卢什 路易·梅米 露德温·塞尼耶 Denis Simonetta Anouk Villemin 

  • 5.0

    我们是伯利恒

    多洛蕾斯·方齐 卡米拉·普拉阿特 劳拉·帕雷德斯 朱丽叶塔·卡迪纳利 Sergio Prina 路易斯·马辛 凯撒·特龙科索 Lili Juarez Ruth Plaate Gaia Garibaldi Susi Andersen Eugenia Blanc Daniel Cabot Camila Caram Aquiles Casabella Edgardo Castro Tamara Dawidowicz Pilar Mestre Del Bono Fabio Di Tomaso Sofía Diam 

  • 2.0

    死星

    Yoon C. Joyce Diandra Elettra Moscogiuri Margherita Scotti Olga Egorova Ivan King Gloria Capelli Maria Arismendi Giorgio Consoli Noemi Marotta Francesco Tinelli 

  • 10.0

    我们很危险

    埃拉娜·詹姆斯 瑞玛·特·维塔 Nathalie Morris 

  • 9.0

    DB

    未知

  • 6.0

    貘之歌

    未知

  • 5.0

    午夜的太阳

    郑知晓 车学沇 

共  条评论

评论

本站只提供WEB页面服务,本站不存储、不制作任何视频,不承担任何由于内容的合法性及健康性所引起的争议和法律责任。

若本站收录内容侵犯了您的权益,请附说明联系邮箱,本站将第一时间处理。

© 2026 6tvtv.com  E-Mail:fmthekinwwgs@gmail.com  

观看记录